Photography Article August Photography Book Club: week 2|Photography Artist Statement

It's week 2 of the August Photography Book Club and our study of Freeman Patterson's Photography and the Art of Seeing . Catch up by reading the overview about the Book Club and the summary and exercises from week 1 or just jump right in from here. If you don't have access to a copy of the book, you can still join in by participating in the exercises and reflections below. If you do have the book, you'll have a lot more material to draw upon and work with.

End of result of spending 20 minutes taking 10 different images in the bathroom. I really liked the reflection here in the toothbrush holder.

I have been so impressed by the quality of the photographs and ideas being created and expressed already in week 1. To see what others have been coming up with, take a look at the photographs on the Flickr group page, posted to the 365project discussion board, or tagged bookclub-seeing1.

For week 2 (August eleven-17th), we are able to attention on the second sections: Learning to Imagine and Learning to Express. Below, I've furnished a few quotations and sports that struck me from those chapters. (All page numbers check with the 2011 edition.)

Learning to Imagine

"The extra sensory stories you've got, the extra fabric your imagination has to work with. The photographer who observes his [or her] environment carefully, who we could his [or her] eyes linger on physical information, is feeding his [or her] creativeness" (pg. 54).

This section explores the thoughts of imagining and abstracting and the way they assessment with the idea of labeling: "We have a look at a cup and what we see is 'cup-ness,' not the flaring rim, the curving take care of, the mottled design, or the reflections of the home windows at the facet of the cup. In short, labels can limit the quantity of material available to our imagination" (pg. 55).

Rather than focusing on such labels, Patterson encourages the photographer to go through a three step creative process: "First, you conceive or imagine a theme. Second, you find (that is, perceive) subject matter that expresses that theme or concept. Third, you conceive the best way to organize the subject matter and use your photographic tools" (pg. 56). This process of "abstracting and selecting help to make clear expression possible" (pg. 60).

Expressing 'calm' for a photography scavenger hunt. Calm by Archaeofrog on Flickr

Try some of the exercises in this section. For example, start by selecting an abstract subject (his example is 'tranquility'), and then ask yourself what subject matter best expresses this subject and why. Or, think about what tones or combination of tones would express that idea. Try to seek out and take photographs of that subject matter and/or those tones to express that subject.

Expressing 'chaos' for a photography scavenger hunt. Chaos by Archaeofrog on Flickr

Learning to Express

"The purpose of your pictures is powerful expression" (pg. Sixty four).

The challenge of this section is to focus your photography on learning to see what your subject matter can express rather than focusing in on your own self-expression. One exercise given is to take a hard-boiled egg (or other similarly mundane object) and make at least twenty photographs of it over the course of twenty-four hours, while trying to answer the question, "What does this egg express?" For inspiration, check out some of the mundane challenges on the 365project site such as mundane-screwdriver, mundane-toothbrush, or mundane-pen to name just a few. Patterson suggests that the sequence of photography should flow from seeing, then responding, and only then making photographs.

My entry for the 'mundane screwdriver' theme. (Not sure that this expresses something essential about a screwdriver, other than the pun.)

Multiple Ways to Join the Book Club

Want to participate? Post a comment together with your mind or a hyperlink to a photograph you've taken for the Book Club and an evidence of how the ebook encouraged your image. Or, you could post images and make a contribution to the dialogue with the aid of becoming a member of the Photography Book Club Group on Flickr.

And don't forget, "Good imagination may be infectious; seize it and bypass it on to different photographers" (pg. Fifty eight).